Books, Articles, and Reviews

2023

Lustrin, Dylan (ed.). 213 Glazes: Josep Llorens Artigas, Joan Miró and Joan Pere Català Roig, Fundació Pilar i Joan Miró a Mallorca. Palma de Mallorca: L21 Gallery, 2023.

Baker, George. Lateness and Longing: On the Afterlife of Photography. Chicago: The University Of Chicago Press, 2023.

2022

Bochicchio, Sarah. “Sharon Lockhart on the Horizon.” Whitewall. February, 2022. https://whitewall.art/art/sharon-lockhart-on-the-horizon. Web.

Seidel, Madeleine. “Life, Death, and the Cosmos Come Together in Sharon Lockhart’s Art.” Hyperallergic. February 22, 2022. https://hyperallergic.com/712501/life-death-and-the-cosmos-come-together-in-sharon-lockharts-art/. Web.

Esposito, Veronica. “Our Selves: celebrating photographs taken by female artists.” The Guardian. April 25, 2022 https://www.theguardian.com/artanddesign/2022/apr/24/our-selves-celebrating-photographs-taken-by-female-artists/ Web.

2021

Bailly, Jean-Christophe. “Sharon Lockhart et Peter Szendy.” In Voir le temps venir. 219-246. Paris: Bayard Culture, 2021.

Becourt, Julian. “Sharon Lockhart, the suspended time.” Switch on Paper. February 12, 2021. https://www.switchonpaper.com/en/profile/artist/sharon-lockhart-the-suspended-time/. Web.

Fulford, Jason, ed. Photo No-Nos. New York: Aperture Foundation, 2021. 87-88.

Lockhart, Sharon. “Artist’s Favorites.” Spike Magazine, Issue 67 (Spring 2021). 16-21.

Lockhart, Sharon. “Love is fleeting. Passion is forever.” Les saison: Revue de cinema, No. 3, 2021. 24-30.

Schneider, Arnd. Expanded Visions: A New Anthropology of the Moving Image. 22, 25, 36-39, 40-42, 43n1-2, 45n31, 46n33. London and New York: Routledge, 2021.

2020

Baker, George. “Sharing Seeing.” October, No. 174, Fall 2020. 163-175.

Finkel, Jori. “Nifty Fifty.” W Magazine, New York. Volume 1, 2020. 64-65. Photographs by Sharon Lockhart.

Sheehan, Rebecca. American Avant-Garde Cinema’s Philosophy of the in-between. 128-140. New York, 2020

Zyman, Daniela. “Who am I, Dancing Body?” In Daniela Zyman and Eva Ebersberger, ed. Thyssen-Bornemisza Art Contemporary: The Comissions Book. 1220-1227. Berlin: Sternberg Press, 2020.

 

2019               

Bučinskaitė, Jogintė, “Parodoje prie bedugnės. Sharon Lockhart instaliacija ŠMC.” 15min (Lithuania), March 10, 2019.  https://www.15min.lt/kultura/naujiena/vizualieji-menai/parodoje-prie-bedugnes-sharon-lockhart-instaliacija-smc-929-1112874. Web.

Bukuts, Carina. “Sharon Lockhart: neugerriemschneider, Berlin, Germany.” Frieze, issue 202, April 2019, 167.

Gelt, Jessica. “Mike Kelley Foundation grants: 10 winners split $400,000 to make daring art.” Los Angeles Times, April 16, 2019. https://www.latimes.com/entertainment/arts/la-et-cm-mike-kelley-foundation-grants-winners20190411-story.html. Web.

Harrington, Alex. “Erdem, Pyer Moss, Molly Goddard, Simone Rocha, and Rokh.” VOGUE, , New York. January 2020. 60-61. Photograph by Sharon Lockhart.

Lippard, Lucy R. and Mayers, Natasha “Home Fires: Activist Art in Maine (or, You Had to Be There).” Beem, Edgar Allen and Vezosa, Andres Maine Arts Journal UMVA Quarterly. “Sactuary”, Spring 2019. http://maineartsjournal.com/home-fires-activist-art-in-maine-or-you-had-to-be-there-by-lucy-r-lippard-and-natasha-mayers/. Web.

Quin, Alejandro. “Photography, Inoperative Ethnography, Naturalism: On Sharon Lockhart’s Amazon Project.” In Martínez-Pinzón, Felipe, and Javier Uriarte. Intimate Frontiers: A Literary Geography of the Amazon., 227-247. Liverpool: Liverpool University Press, 2019.

Singerman, Howard. Sharon Lockhart: Pine Flat. London: Afterall Books, 2019

Steinberg, Claudia. “Es war total wahnsinnig” Die Ziet, No. 15, April 4, 2019, 26. Photograph by Sharon Lockhart.

Tumpytė, Dovilė. “Sharon Lockhart „Rudzienko“: rūpesčio poetika.” ArtNews (Lithuania), March 13, 2019. https://artnews.lt/sharon-lockhart-rudzienko-rupescio-poetika-51599. Web.

Lowry, Glenn et al. MoMA Highlights. New York: The Museum of Modern Art, 2019.

  

2018

Rideal, Liz and Soriano, Kathleen. “Sharon Lockhart.” In Liz Rideal and Kathleen Soriano,  Madam and Eve: Women Portraying Women, 160. London: Laurence King Publishing Ltd, 2018.

Solway, Diane. “Women of Influence.” W Magazine, New York. Volume 5, 2018. 152–159. Photographs by Sharon Lockhart.

                       

2017               

Okun, Yoshua et al. Yoshua Okón, 17-18, 35-36. Ciudad de Mexico: Museo Universitario Arte Contemporáneo, 2017.

Rothkopf, Scott. Laura Owens. Whitney Museum of American Art, 2017.

Piwowarska, Barbara. “Maly raport z Pawilonu” Zacheta (Warsaw), July/August/September/October 2017, 3–6.

Gliński, Mikołaj. “Sharon Lockhart. Mały Przeglad” Zachęta (Warsaw), May/June 201, 34–36.

Fowler, Catherine. “The Artist’s Long Take as Passage in Sharon Lockhart’s Installation Lunch Break (2008).” In John Gibbs and Douglas Pye, The Long Take, 193­–205. London: Palgrave Close Readings in Film and Television, 2017.

Mazur, Adam.  “Milena, Milena…” SZUM (Warsaw), no. 17 (summer–autumn 2017), 90–95

Gawkowski, Jakub. “Sharon Lockhart’s Little Review – Giving Voice and Power to Young Women.”  Political Critique, Warsaw, Poland. http://politicalcritique.org/cee/poland/2017/little-review-giving-voice-and-power-to-young-women/. Web.

Soleil, David. “Faculty Sharon Lockhart Represents Poland at 2017 Vencie Biennale.” 24700 News from California Institute of the Arts, Valencia. http://blog.calarts.edu/2017/06/14/faculty-sharon-lockhart-represents-poland-at-2017-venice-biennale/. Web.

Gawkowski, Jakub.  “Sharon Lockhart’s Little Review – Giving Voice and Power to Young Women.”  Political Critique, Warsaw. http://politicalcritique.org/cee/poland/2017/little-review-giving-voice-and-power-to-young-women/. 6 June 2017. Web.

Thackara, Tess.  “Sharon Lockhart Revives Nazi-Era Children’s Newspaper for Venice Biennale.”  Artsy, New York. https://www.artsy.net/article/artsy-editorial-sharon-lockhart-revives-nazi-era-childrens-newspaper-venice-biennale.  17 May 2017. Web.

“The 57th Venice Art Biennale: Sharon Lockhart at the Polish national pavilion.”  Art Territory, Riga, Latvia. http://www.arterritory.com/en/news/6603-the_57th_venice_art_biennale_sharon_lockhart_at_the_polish_national_pavilion/.  17 May 2017. Web.

Barry, Colleen.  “Venice Biennale taps art angst amid rising nationalism.”  Detroit News. http://www.detroitnews.com/story/entertainment/arts/2017/05/12/venice-biennale-taps-art-angst-amid-rising-nationalism/101615134/.  12 May 2017. Web.

“Korczak’s Little Review goes to the Venice Biennale.” Culture.pl. http://culture.pl/en/event/korczaks-little-review-goes-to-the-venice-biennale. May 2017. Web.

Vankin, Deborah.  “Beverly Center as art gallery? How some big-name artists are behind those construction barricades.”  LA Times. http://www.latimes.com/entertainment/arts/la-et-cm-beverly-center-public-art-20170420-story.html.  20 April 2017. Web.

Finkel, Jori.  “Sharon Lockhart gives voice to Polish girls and Jewish orphans at the Venice Biennale.”  The Art Newspaper, London. http://theartnewspaper.com/news/sharon-lockhart-gives-voice-to-troubled-girls-and-jewish-orphans-at-the-venice-biennale/.  17 April 2017. Web.

“The Venice Questionnaire #7 — Sharon Lockhart.” ArtReview. https://artreview.com/previews/2017_venice_7_sharon_lockhart_poland/. 10 April 2017. Web.

57E Biennale De Venise: Sharon Lockhart Au Pavillon Polonais.” Inferno Magazine. https://inferno-magazine.com/2017/02/24/57e-biennale-de-venise-sharon-lockhart-au-pavillon-polonais/. 24 February 2017. Web.KADIST — Programs Collection. “Sharon Lockhart: Rudzienko.” http://kadist.org/program/rudzienko/. kadist.org. 15 March 2017. Web.

Sienkiewicz, Karol. “Thousand Thoughts Per Second.”  http://www.dwutygodnik.com/artykul/6875-tysiac-mysli-na-sekunde.html. dwutygodnik.com.Web.

“57th Venice Biennale Releases List of 120 Participating Artists.” https://www.artforum.com/news/id=66435. artforum.com. 7 February 2017. Web.“Witness.” http://www.weartproject.com/event/it/466261/witness/. weartproject.com. Web.

Gilsdorf, Bean. “Sharon Lockhart: Foksal Gallery Foundation, Warsaw, Poland.” Frieze.com. https://frieze.com/article/sharon-lockhart-2. 24 January 2017. Web.

“CEE Films in the 67th Berlinale Selection.” FilmNewEurope.com. http://www.filmneweurope.com/news/region/item/113898-cee-films-in-the-67th-berlinale-selection. 23 January 2017. Web.

Krtinic, Mary. “Film Guide from 19 to 25 January.” Danas.rs. http://www.danas.rs/kultura.11.html?news_id=336713&title=Filmski+vodi%C4%8D+od+19.+do+25.+januara. 19 January 2017. Web.

 

 

2016               

Pearlstein, Elinor.Renewal: 2012-Present.” The Arts Club of Chicago at 100: Art and Culture 1916-2016. The Arts Club of Chicago, Chicago. 2016.Newspaper Jan Mot. Volume 20, No. 104, 2016. Jan Mot Gallery.“The Lure of LACMA.” Vanity Fair. December 2016. http://www.vanityfair.com/magazine/photos/2016/11/creating-lacma-famed-1968-class-photo#13. December 2016. Magazine and Web.Jabtonska, Urszula. “Girl from Rudzienko.” Wysokie Obcasy (High Heels). 19 November 2016. Magazine

White, Ian. “Here is Information. Mobilise” Edited by Mike Sperlinger. LUX, London. 2016. Death, Life and Art(ifice)

Hart, Hugh. “Sharon Lockhart and Frances Stark. Solidarity Forever: Renowned MFA Alums Revisit an Iconic Portrait.” Art Center Dot Magazine. 7 November, 2016. http://www.artcenter.edu/connect/dot-magazine/articles/sharon-lockhart-and-frances-stark.html

Sienkiewicz, Karol. “A Thousand Thoughts Per Second.” Dwutygodnik.com. http://www.dwutygodnik.com/artykul/6875-tysiac-mysli-na-sekunde.html.
November 2016. Web.

Sandals, Leah. “A Different Way for Teenage Girls to Go Wild.” Canadian Art. http://canadianart.ca/reviews/sharon-lockhart. 19 October 2016. Web.Waxman, Lori. “’Rudzienko’: Girls in the forest.” Chicago Tribune. 21 July 2016. Print.

Maliborski, Szymon. “An Ordinary Story of a Human Being.” Gumula, Jolanta, Presence/Absence/Traces, 220-227. Warsaw: Polin Museum of the History of Polish Jew, 2016.

Gardner, Chris. “Catherine Opie, Geoff McFetridge Artworks Unveiled as Part of Beverly Center Renovations.” The Hollywood Reporter. http://www.hollywoodreporter.com. 14 September 2016. Web.

Nolfi, Joey. “Toronto Film Festival: James Franco, Jacob Tremblay films among 14 new special presentations.” Entertainment Weekly. www.ew.com. 16 August 2016. Web.

Reilly, Alison. “In a New Collaborative Film, Sharon Lockhart Puts Teenage Girls in Charge of Their Own Image.” ArtSlant. http://www.artslant.com. 3 June 2016. Web.

Gropper, Jaime. “Rose Art Museum Spring 2016 New Exhibits.” Justice. www.thejustice.org. 12 January 2016. Web.

Krug, Simone. “Sharon Lockhart Milena Milena.” The Brooklyn Rail. www.brooklynrail.org. 03 February 2016. Web.

Lockhart, Sharon. “Farewell: An Homage to Chantal Akerman (1950-2015).” Frieze, no. 176 (January-February 2016): 119.

Ogilvie, Jessica P. “Still Life with Fish at the Hammer Museum Celebrates West Coast Photography of the 1960s and Beyond.” Los Angeles Magazine. www.lamag.com. 13 April 2016. Web.

“Rose Art Museum Set for Spring,” Brandeis Now. www.brandeis.edu/now. 02 February 2016. Web.

Russeth, Andrew. “The Artist’s Institute, Manhattan’s Indefinable Art Space, Heads Uptown,” ArtNews. www.artnews.com. 23 February 2016. Web.

Sheets, Hilarie M. “An Artist Explores the Lives of Girls Labeled Difficult.” New York Times. nytimes.com. 20 May 2016. Web and Print.

Whelan, Bill. “Three New Exhibits at Rose Art Museum,” Wicked Local. www.wickedlocal.com. 25 February 2016. Web.

Slenske, Michael. “John Rubeli: Of artists and Repertoires.” Blouin ArtInfo. http://www.blouinartinfo.com. 11 June 2016. Web.

Cashdan Marina, and Molly Gottschalk. “The 20 Best Booths At Art Basel.” Artsy. www.artsy.net. 15 June 2016. Web.

                       

 

2015               

Beshty, Walead, “In Medias Res (On the Work of Sharon Lockhart).” In Beshty, Walead, ed. 33 Texts: 93,614 Words: 581,035 Characters: Selected Writings (2003-2015), 193-211. Zurich: JRP|Ringier, 2015.

Beshty, Walead, ed. Ethics. London: Whitechapel Gallery and MIT Press, 2015. Includes text on Lockhart by Sabine Eckermann.

Lockhart, Sharon. “Welling, Wyeth, and the Light of New England” in Things Beyond Resemblance: James Welling Photogaphs. Exh. Cat. Brandywine River Museum of Art. Chadds Ford, PA. 2015. 25-30.

McQuade, Lauren. “The Broad Collection: Inside LA’s New Free Art Museum with Director Joanne Heyler,” ArtSlant. www.artslant.com. 26 August 2015. Web.

Olivier, Ellen. “Celebrating an ‘extraordinary’ day and two new exhibits at the Hammer Museum,” The Los Angeles Times. latimes.com. 30 June 2015. Web.

Picard, Andrea, and Andrea Lissoni. “Behind the Work of Michael Snow and Sharon Lockhart,” Mousse Magazine, no. 49 (Summer 2015): 240-259.

Schad, Ed. “Sharon Lockhart.” In Heyler, Joanne, ed. The Broad Collection, 140-143. Los Angeles: The Broad, 2015.

Guzman-Lopez, Adolfo. “USC Roski MFA program suffers another blow to rebuilding effort,” Southern California Public Radio. scpr.org. 7 August 2014. Web.

Spillman, Philipp. “Sharon Lockhart—Das Bild als Echo,” Kunst Bulletin, May 2015, 26-33.

Castaing-Taylor, Lucien. "Sharon Lockhart 2015." The Herb Albert Award in the Arts. http://herbalpertawards.org.  March-April 2015. Web.

“Winners of the 21st Annual Herb Alpert Awards Announced,” Artforum. www.artforum.com. 1 May 2015. Web.

Willman, Chris. “Detained Cuban Artist Absent From Herb Alpert Awards Ceremony,” The Hollywood Reporter. hollywoodreporter.com. 3 May 2015. Web.

Levine, Debra. “Herb Alpert’s twenty-one years of generous giving to artists,” artsmeme.com. 4 May 2015. Web.

Miranda, Carolina. “Art, not politics led to dissident artist Tania Bruguera's Herb Alpert award,” Los Angeles Times. Latimes.com. 1 May 2015. Web.

“Exploring Identity Through HE: The Hergott Shepard Photography Collection,” UMMA Magazine. University of Muchigan Museum of Art. p. 17 Winter 2015.

Bernstein, Roslyn. “Redefining Regional: Contemporary Art and the Montclair Art Museum (MAM),” The Huffington Post. huffingtonpost.com. Web. 9 March 2015.

Poturyan, Anahit. “13 Contemporary Female Artists You Should Know,” QuirkyDaily.com. quirkydaily.com. Web. 5 March 2015.

Rapold, Nicholas. “Review: ‘Costa da Morte’ Lustrously Depicts Extreme Coastlines,” The New York Times. nytimes.com. Web. 12 February 2015.

Bischoff, Dan. “Montclair Art Museum shows us why the '90s still matter,” NJ.com. nj.com. Web. 8 February 2015.

Dunne, Susan. “‘In The Paint’ Exhibit Celebrates UConn Basketball,” Hartford Courant. courant.com. 22 January 2015. Web.

Mackinnon, Karen. “Artes Mundi: the director’s tour,” Apollo Magazine. www.apollo-magazine.com. 20 January, 2015. Web.

 

2014               

Eckermann, Sabine. “Sharon Lockhart,” Artes Mundi, 56-61. Cardiff: Artes Mundi Prize Limited, 2014.

Sheerin, Mark. “Nine artists in citywide Artes Mundi exhibition bring international biennial feel to Cardiff,” Culture24. www.culture24.org.uk. Web. 04 November, 2014.

Vem är Milena? (Who is Milena?), newspaper article, Sofia Curman, in: Bonniers Konsthall Issue 6, Spring 2014, p.20 to 27

Sonna, Birgit. “Ein Kinderspiel.” Art Das Kunstmagazin. April 2014, pp. 72-80.

Dattenberger, Simone. “Der Betrachter lacht und lernt” (“The Viewer Laughs and Learns”), Munchner Merkur, March 14, 2014.

Lorch, Catrin. “Wer hier fegt, muss Kunstler sein” (“Who sweeps here, must be Kunstler”), March 14, 2014.

Timm, Tobias. “Gestanzte Seele” (“Punched Soul”), Die Zeit, March 13, 2014.

Bucksbaum, Melva. The Distaff Side. Sharon, CT: The Granary, January 2014.

Singerman, Howard. “Dear Joachim,.” The Brooklyn Rail. www.brooklynrail.org. Web. 5 February 2014.

Schad, Ed. “Thinking and Looking in the Studio,” The Brooklyn Rail, www.brooklynrail.org. Web. 5 February 2014.

Andreasson, Karin. "Sharon Lockhart's Best Photograph: Blind Girls Reading Braille at the Los Angeles Public Library."Guardian (London) 15 October 2014. Web.

Dickinson, Bob. "Liverpool Biennial: A Needle Walks into a Haystack." Art Monthly (London). 379 September (2014): 23-25.

Fagan, C. James. "Biennial 2014: The Space in Between." Thedoublenegative.co.uk. 29 July 2014. Web.

Hudson, Mark. "The City's the Star." Daily Telegraph 8 July 2014: 21. Print.

Januszczak, Waldemar. "Missing the Point." Sunday Times (London) 7 July 2014: 8. Print.

Plagens, Peter. "Totally Plugged In." Art in America. 102. 8. September (2014): 71-73. Print.

Searle, Adrian. "Downbeat and Off-key at the Liverpool Biennial." Guardian (London) 5 July 2014: 14-15. Print.

Stephens, Simon. "People Power." Museums Journal. October (2014): 26-31.

Searle, Adrian. “Artes Mundi review – chocolate heads, psychosexual drama and donkey toys,” The Guardian. www.theguardian.com. 28 October 2014. Web.

Hinrichsen, Jens. “Alles Kino.” Der Tagesspiegel, January 18, 2014: 41.

Achermann, Tim. “Lange Wile.” Welt am Sonntag, January 12, 2014: 41.

 

2013               

MacDonald, Scott. American Ethnographic Film and Personal Documentary: The Cambridge Turn. University of California Press, 2013.

Vernalis, Carol; Herzog, Amy; Richardson, John. The Oxford Handbook of Sound and Image in Digital Media. New York: Oxford University Press, 2013.

Soutter, Lucy. Why Art Photography?. London: Routledge, 2013.

Cooke, Lynne. "Best of 2013," Artforum, December 2013, pp.206-207.

Dot, Art Center College of Design magazine – p.4 – Fall 2013

Kroppssprâk, article by Camilla Larsson, in: Bonniers Konsthall Issue 5 Autumn 2013, Stockholm Sweden. P38 to 41.

De Cosi, Simone, Fictionnalisme: une piece à conviction, Newspaper Jan Mot 134-138, p1 top.4, Brussels, Belgium, October 2013

Sharon Lockhart / Noa Eshkol, Aspekte zeitgenössischer kuratorischer Praxis (=aspects of comtemporary curatiorial practice), Student’s thesis towards obtaining a Masters degree, by Eva Fritz, Universität Ludwig-Maximilians, München, Germany. 91p. August 31 2013.

Baker, George – Sharing Seeing – October magazine, July 2 2013, Web

Mac Donald Scott, Cine-surveillance : 3 avant-docs interviews, Film Quarterly, Summer 2013

Blom, Ina. “Arbeidstid,” Artforum, May 2013, p. 179. 

Budak, Adam, Sharon Lockhart’s Milena, Milena. Press release for Contemporary Art Ujazdowski Castle, May 2013

Nathan, Emily. “Sharon Lockhart / Noa Eshkol,” Artnews, April 2013, p. 96.

Buchman, Sabeth and Rike Frank. “Szenische Kollaborationen,” Texte Zur Kunst, March 2013, p. 233-237.

Haber, John. “From Improvisation to System: Joself Albers, Sharon Lockhart, and Noa Eshkol.” Haber’s Art Reviews. www.haberarts.com/jalbers.htm. 27 February 2013.

Walleston, Aimee. “Steps Retraced: Sharon Lockhart and Noa Eshkol at the Jewish Museum,” Art in America, February 26, 2013. artinamericamagazine.com. Web.

Forbes, Alexander. “Sharon Lockhart on Noa Eshkol’s System of Movement Notation and Tracing History Through Textile.” Blouin ArtInfo: Berlin Art Brief 21 February 2013. blogs.artinfo.com/berlinartbrief. Web.

Jonsson, Stefan. “I Tensta visas de alternativa.” Konst 21 February 2013: A2. Print.

Tewksbury, Drew. “The World, Considered: Sharon Lockhart’s Watchful Eye,” KCET, February 8, 2013.

Schwendener, Martha. “A Two-Person Exhibition With Someone Who Isn’t Here, ‘Sharon Lockhart/Noa Eshkol,’ at the Jewish Museum,” The New York Times, January 31, 2013.

“La MaMa and The Jewish Museum to Welcome Noa Eshkol Chamber Dance Group, 3/7 & 10,” Broadway World, January 28, 2013.

Reimer-Torn, Susan. “Not So Ordinary Encounters.” The Jewish Week. www.thejewishweek.com. Web. 7 January 2013.         

Petersson, Frans Josef. “Den allvarsamma leken.” Kunstkritikk.www.kunstkritikk.se. 3 January 2013.

Björnsdóttir, Bryndís. "Knock on Wood." Artslant.com, August 22. 2013.

Diederichsen, Diedrich, and Ana Ofak. "The Whole Earth." Mousse, no. 39 (Summer 2013): 196-203.

Kuc, Monika. "Sztuka wysublimowana." Rzeczpospolita  3 June 2013. Web.

Lille, Dawn. "Dance: Sharon Lockhart/Noa Eshkol - Eshkol's Dances as Seen by Lockhart." Art Times January/February 2013. Web.

Majmurka, Jakuba. "Lockhart: Nie zmieniam swiata, najwyzej zycie jednostek." Krytyka Polityszna  29 May 2013. Web.

Relyea, Lane. Your Everyday Art World. Cambridge, MA: MIT Press, 2013. 

Ringborg, Theodor. "The Society Without Qualitites." Artforum.com April 2013. Web.“Artists in the running for £40,000 prize,” Western Mail. 12 December, 2013. 28-29. Print

 

2012               

“Ken Price Remembered.” LACMA Magazine, 2012.

“A Meeting of Creative Minds.” artculture+news The Jewish Museum. Fall 2012: 4.

Baker, George. “Photography’s Expanded Field: The Work of Sharon Lockhart.” The UO Channel. www.media.uoregon.edu. July 2012.

Barron, Stephanie.  “Ken Price: A Retrospective.”  Los Angeles: Los Angeles County Museum of Art, 2012. 279.

Budak, Adam. “Sharon Lockhart | Noa Eshkol.” Camera Austria. Graz, Austria, 2012. 117:92

Cartwright, Steve.  “Drawing the Seascape.” The Working Waterfront. Rockland, ME. May 2012. Vol 25 No.3: 1,7. Print.

Coghlan, Niamh. “Industrial Realism.” Aesthetica (York, UK). December/January, 2012: 58-62. Print.

Miotto, Andrea, Exposiciones: Sharon Lockhart, Shanguide, Web, Sept. 2 2012

Arte y part magazine, Sharon Lochart, Spain, issue 100, Aug./Sept. 2012

El treball recent de Sharon Lockhart, BonArt magazine, p.95, August 2012

Temps d’esperar I veure, El Temps magazine, Barcelona, Spain, p.57, June 5 2012

La estadounidense Sharon Lockhart inaugural una installacion en el EACC, El Periòdico Mediterràneo, May 12, p.60, 2012

Mir, Patricia, Sharon Lockhart navega por los mares del tiempo, Las Provincias magazine, May 5th 2012

Diaz-Guardiola, Javier.  “Sharon Lockhart: Creo ficciones que son muy reales.” ABC.  www.abc.es.  2012. Web. 10 May 2012.

Drohojowska-Philp, Hunter.  “Sharon Lockhart-Noa Eshkol at the LA County Museum of Art.” Art Review KCRW. kcrw.com. Web. 7 June 2012.

Elgart, Sarah. “Sharon Lockhart | Noa Eshkol | Dance Camera West.” Unframed The LACMA Blog. lacma.wordpress.com. 2012. Web. 27 June 2012.

Film Buff, Just Another. “Ellipsis #65.” The Sevenths Art. theseventhart.info.18 November 2012. Web.

Haroutounian, Christine, In View of Affect: An interview with Phil Chang, Graphite Interdisciplinary Journal of the Arts, Web, March 2012

Winant, Carmen - “Affective Turn?”, ArtForum, Web, March 2012

Gallagher, Lauren. “Take a bite of the workday with ‘Lunch Break’ film installation.” SF Examiner. Sfexaminer.com. 2012. Web. 3 January 2012.

Gavard-Perret, Jean-Paul.  “Harmonies de Sharon Lockhart.” Le Huffington Post. www.huffingtonpost.fr.  2012. Web. 19 May 2012.

Holte, Michael Ned. “Movement Research.” Artforum (New York).  January 2012: 192 – 195.

Kennedy, Christ. “17th Media City Film Festival.” Moving Image Review & Art Journal (MIRAJ). September 2012. Vol 1 No. 2: 286-291. Print.

“LACMA Presents North American Premiere of Sharon Lockhart’s latest Body of Work.” Art Daily. artdaily.com. Web. 6 June 2012.

Lehrer-Graiwer, Sarah.  “Sharon Lockhart and Noa Eshkol.” ArtForum. Artforum.com. July 2012. Web.

Lenkinski, Ori J. “The essence of Eshkol.” The Jerusalem Post. Jpost.com. 2012. Web. 27 January 2012.

Lichtenstein, Miranda. “Draw it With Your Eyes Closed.” Brooklyn, NY: Paper Monument. 2012. 60. 

Linkof, Ryan. “Sharon Lockhart and the Complex Life and Legacy of Noa Eshkol.” Unframed The LACMA Blog.  lacma.wordpress.com. 13 June 2012. Web.

Marroqui, Javier. “Sharon Lockhart.” ARTECONTEXTO. 226-227. Print.

Martinfield, Sean.  “Pop-up Lunch Break – This Friday at SF Museum of Modern Art.” SF Sentinel. Sanfranciscosentinel.com. 2012. Web. 3 January 2012.

Sharon Lockhart | Noa Eshkol at the Jewish Museum, New York. Asthetica Blog.

aestheticamagazine.com. November 2012. Web.

Maseng, Jonathan.  “The fabric of dance at LACMA.” Jewish Journal. Jewishjournal.com. 13 June 2012. Web.

Myers, Holly.  “Work Done out of Respect.” The Los Angeles Times. Los Angeles. 15 June 2012. D15. Print.

Pastan, Rachel. “Salon of Ghosts: Staging (and Restaging) at ICA.” ICA: Miranda. 19 November 2012. Web.

‘More American Photographs’ offers a glimpse of America’s recession, Los Angeles Times online, web, March 19 2012.

Rinaldi, Ray Mark. Denver art shows take on dirty job of looking inside our souls. denverpost.com, March 9 2012, Web

juicyheads.com, More American Photographs, February 27 2012, Web

Pattison, Michael.  “AV Festival: Double Tide.” Front Row Reviews.  Frontrowreviews.co.uk. 2012. Web. 5 March, 2012.

Pollack, Maika. “Slowstagram: The Met Reminds Us That Photography Has Always Been a Bag of Tricks (The Jewish Museum gives us one artist’s picture of another).” GalleristNY. galleristny.com. 16 November 2012. Web.

Relyea, Lane.

Rust, Monani, Cubit. “Ecocinema Theory and Practice.” Routledge. 2012. Print.

Schwarz, Oliver. With Reference to Hans Haacke. New York: Distributed Art Pub Incorporated, 2012. Print.

Skelly, Kate. “Reality Check.” Art Slant Santa Fe. artslant.com. July 2012. Web.

Tennent, Scott and Jenny Miyasaki, eds. “Ken Price Remembered.” Insider LACMA Benefactors’ Journal. Los Angeles: Los Angeles County Museum of Art, Fall 2012: 24.

Urbanelli, Elisa, ed. “The Warhol Effect: A Visual Archive.” Regarding Warhol: Sixty Artists, Fifty Years. New York: The Metropolitan Museum of Art, New York: 2012, 225.

Vrancken, Judith. “Sharon Lockhart and Noa Eshkol at Thyssen-Bornemisza Art Contemporary (TBA 21), Vienna.” art agenda. www.art-agenda.com. 1 December 2012. Web.

Willis, Holly. “Media Arts Preview: Lockhart, Andersen, and Bookchin.” KCET. Community Television of Southern California, 5 April 2012. Web.

Wappler, Margaret.  “Mike Kelley: mentor, teacher, friend.”  Los Angeles Times. Los Angeles. 11 March 2012. E9. Print.

Wewer, Antje. “Gurkenbrötchen, mal anders.” Süddeutsche Zeutiung. Munich. 9 June 2012. Print.

Hoffman, Jens, ed. More American Photographs. San Francisco: California College of the Arts, 2012, 66-67. 

Lockhart, Sharon. "Forum." Camera Austria, no. 116 (2011): 57-70.

Maseng, Jonathan. "The Fabric of Dance at LACMA." Jewish Journal, June 13, 2012.

 

2011               

Dean, Tacita. Film: Tacita Dean. London: Tate Modern Publishing and Enterprises, L.L.C., The Unilever Series, 2011.

Adler, Phoebe and Duncan McCorquodale. “Contemporary Art in North America.” London: Black Dog Publishing, 2011. 176-179.

Casavecchia, Barbara. “Operai, la pausa pranzo degli Altri.” La Repubblica 5 Feb. 2011, 36.30: 16. Print.

Diedrichsen, Diedrick. “Sharon Lockhart.” The Secession Talks: Exhibitions in Conversations.  Viena: Friends of the Secession, 2011. 562-573.

Denson, Rodger D. “XX Chromosocial: Women Artists Cross The Homosocial Divide.” The Huffington Post. TheHuffingtonPost.com, Inc, 8 March 2011. Web. 8 March 2011.

Enami, Gazelle. “Photography In The Recession: Can An Image Authentically Represent An Era?” The Huffington Post.  Huffingtonpost.com. 2011. Web. 15 December 2011.

Frisinghelli, Christine. “Archive and Memory, Where is The Work of Art?” Mutations, Perspectives on Photography. Gottingen, Germany: Steidl, 2011. Print.

Lockhart, Sharon. “Forum.” Camera Austria. 116. December (2011): 57-70.

Lockhart, Sharon. “Cayetano Ferrer.” Frieze. London: September 2011. 129. Print.

Lockhart, Sharon. Lunch Break II. Vienna: Secession, 2011. Artist's book published in connection with the exhibition

Collection Vanmoerkerke. Brussels: Rispoli. 2011. 152-153.

Marks, Rob.  “Act. Repeat. Suspend. Sharon Lockhart’s Lunch Break at SFMOMA.” Daily Serving.  Dailyserving.com. 2011. Web. 5 December 2011.

Moro, Michela. “Pausa pranzo con Sharon Lockhart.” Art Blog di Michela Moro. Rcs Periodici Spa - Via Rizzoli 8 - 20132 Milano, 14 March 2011. Web. 22 March 2011.

Nicolacopoulou, Maria. “Lunch Break: Sharon Lockhart.” Art Practical.  Artpractical.com. 2011. Web. 8 January 2012.

Rabottini, Alessandro. “Il Realismo e un fiore.” Magazine d’Arte della GAM. #2 Giugno- Settembre 2011: 34-38. Print.

Stromberg, David. “The House of Noa.” The Jerusalem Post Magazine. Jerusalem. 16 December 2011. 5772: 22

Tromble, Meredith. “Sharon Lockhart: Lunch Break and Double Tide at SFMOMA.” Stretcher. Stretcher.org. 2011. Web. 20 October 2011.

Vélez, Pedro. “USC Roski: Art School Confidential.” Artnet. Artnet Worldwide Corporation, 7 March 2011. Web. 22 March 2011.

Wender, Jessie.  “Photgraphing the Great Recession, Looking back to The Great Depression.” The New Yorker. Newyorker.com. 2011. Web. 13 October 2011.

Weschler, Lawrence. Uncanny Valley: Adventures in th Narrative. Berkeley: Counterpoint Press, 2011. Print.

Willis, Holly. “Media Arts Preview: Predictions, Politics & the Poetics of Cinema.” KCET. Community Television of Southern California, 10 March 2011. Web. 22 March 2011.

Kilston, Lyra. “Sharon Lockhart’s ‘Podworka.’” Art Agenda. Art-Agenda.com. 19 October 2001. Web. 20 October 2011.
Pontbriand, Chantal, ed. Mutations, Perspectives on Photography. Göttingen: Steidl; and Paris: Paris Photo, 2011.
Samorzik, Elad. "Bringing Dance to Life." Haaretz 14 December 2011. Web.

 

2010               

Anderson, Jason. “Connect Four.” Artforum. Artforum International Magazine. 24 April 2010. Web. 27 July 2010.

Benning, James. “NO.” Cinema Scope. 42. Spring (2010): 96. Print

Calder, Amy. “The art of the lunch break.” Online Sentinel. Maine today Media, Inc., 11 July 2010. Web. 11 July 2010.

Catsoulis, Jeannette. “Peace in the Pursuit of Maine Clams.” New York Times 11 November 2010: C6. Print.

“Chansonetta Takes a Lunch Break.” Stanley Museum Quarterly. 24. 2 Spring/Summer (2010): 6-7. Print.

Charylo, Goska. “Anabasis: Rituals of Homecoming.” Frieze. 128. January/February (2010):

Coburn, Tyler. “Sharon Lockhart: Lunch Break.” Art Review. 39. March (2010): 132.

Comer, Stuart.  “The best motion pictures and moving images of 2009.” Frieze. 128. January/February (2010):

Cooke, Lynne. “ Best of 2010.” Artforum. 49. 4 December (2010): 202-203. Print.

Curcio, Seth. “Artist Explore Screen Space.” Daily Serving. DailyServing.com. 3 May 2010. Web. 22 March 2011. 

Dick, Terence. “2010 Images Festival | Ryan Trecartin and Sharon Lockhart at The Power Plant.” Akimblog. Akimbo and Kim Fullerton. 1 April 2010. Web. 22 March 2011.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 

Engel, Allison. “Art Stars.” USC Trojan Family Magazine. 42. 3 Autumn (2010): 24 –27. Print.

Finnegan, Jesse P. “Creative Capital’s Experimental Decade.” The L Magaizine. 28 April 2010. Web. 28 April 2010.

Gladstone, Valerie. “Sharon Lockhart: Lunch Break.” City Arts. 12 January 2010. Web. 12 January 2010.

 “Harbor Theatre presents “Double Tide.” Lincoln County News. 9 December 2010: A9.

Harrenn, Natilee. “Reviews: Sharon Lockhart.” Artforum. March (2010): 254-255. Print.

Holte, Michael Ned. “A Few Questions About Place and Time: Sharon Lockhart and Michael Ned Holte in conversation.” Jan Mot. 13.73. August (2010): 1-5. Print.

Hoolboom, Mike. “Will is Float?” MikeHoolboom.com. 2 April 2010. Web. 22 March 2011.

Johnson, Ken. “Warhol’s Silent Film Portraits.” New York Times. 24 December (2010): C29. Print.

Kany, Daniel. “Lockhart’s BIW photo exhibition ultimately disappoints.” Maine Sunday Telegram. 19 September (2010): D9. Print.

Keyes, Bob. “Bob Keys: Artist/Clammer Digs her Dual Life.” Portland Press Herald. 26 December 2010. Web. 

Keyes, Bob. “Lunch bucket brigade.” Maine Sunday Telegram. 22 August (2010): D1 and D8. Print.

Kley, Elisabeth. “Gotham Art & Theater.” Artnet. 21 January 2010. Web. 21 January 2010.

Koehler, Robert. “The Sundance-Rotterdam-Berlin Express.” Cinema Scope. 42. March (2010): 107.

Konau, Britta. “Sharon Lockhart: Lunch Break.” Artscope. September/ October 2010.

Kordoski, Kyra. “Artists Explore Screen Space @ The Power Plant.” Whitehot Magazine. Noah Becker. April 2010. Web.

Lange, Christy. “Snap Shot.” Frieze. 131. May (2010): 11.

“Local photo exhibit captures personalities of shipyard workers.” St. Louis/Southern Illinois Labor Tribune. 73. 29. February (2010): 8. Print.

“Manual labour on film could really Work.” Film Blog. guardian.co.uk, 2 March 2010. Web. 9 Feb. 2011.

Lockhart, Sharon. “1000 Words: Jennifer Bolande (Introduction).” Artforum. 49. 3. November (2010): 210. Print.

Merry, Stephanie. “Going Out Guide recommends the film ‘Lunch Break’ at the Hirshhorn.” Washington Post. The Washington Post Company, 21 April 2010. Web. 21 April 2010.

Milroy, Sarah. “A shop of horrors and a poignant rebuttal.” The Globe and Mail. The Globe and Mail Inc., 6 April 2010. Web. 6 April 2010.

Nathan, Emily. “Breaking In.” ArtSlant. ArtSlant Inc., 24 January 2010. Web. 24 January 2010.

Prince, Mark. “Sharon Lockhart Neugerruemschneider-Berlin.” Flash Art. June, 2010:117. Print.

“Sharon Lockhart: Lunch Break Times.” Art Journal. 69.1-2. Spring/Summer (2010): 34-43. Print.

Storr, Robert. “Art Space: Have crowed museums and galleries put an end to uninterrupted contemplation?” Frieze. 129. 15 March 2010:

Swenson, Kirsten. “Review: Sharon Lockhart.” Art in America. February (2010): 123-124. Print.

Tinti, Gabriele. “Time Out.” Drome Magazine. 17. Spring (2010): 54-55. Print.

Weinberg, Lauren. “Rewind: 1970s to 1990s, Works from the MCA Collection.” Time Out Chicago. 266. April (2010):

Whyte, Murry. “The Power Plant’s auteur de force.” The Star. Toronto Star. 21 April 2010. Web. 21 April 2010.

Willis, Holly. “About Time.” KCET. Community Television of Southern California. 5 March 2010. Web. 5 March 2010.

Zellen, Jody. “Sharon Lockhart.” Art Papers. January/February (2010): 60. Print.

 

2009               

Asthoff, Jens. “Critics Picks: Screening Real,” Artforum. Artforum International Magazine. 2 December 2009. Web. 2 December 2009.

Bellenbaum, Ranier. “Exit to Enter.Secession. (2009): 230–34.

Cochrane, Steven Leyden. “Materialist Cinema: Workers Leaving the Factory.” Fuse. 32.4. September (2009): 14-16. Print.

De Pas, Rebecca. “LUNCHBREAK.” Journal Daily FIDMarseille. 13 July (2009): 4–5. Print.

Barber, Stephen, Michael Benson, Leo Johnson and Francis Hodgson, ed. Earth. London: Prix Pictet Ltd, 2009. 28. Print.

Godfrey, Mark. “Lunch Break.” Parkett. 85. (2009): 6–10.

Grosz, David. “Eija-Liisa at Sundance.” Artinfo. Louise Blouin Media. 15 January 2009. Web. 22 March 2011.

Hanselle, Ralf. “Sharon Lockhart: Lunch Break.” Kunstforum. 195. (2009):

Heiser, Jorg. “Trading Places.” Frieze. 120. February (2009):

Holert, Tom. “Sharon Lockhart: Lunch Break.” Camera Austria. 105. March (2009): 73.

Koehler, Robert. “Sundance 2009: Lost Frontier.” Cinema Scope. 38. March (2009): 50-52.

Kippenberger, Susanne. “Mahlzeit!” Der Tagesspiegel. Web. 15 February 2009.

Mizota, Sharon. “Art review: Sharon Lockhart at Blum and Poe.” Culture Monster. Los Angeles Times. 4 December 2009. Web. 4 December 2009.

O’Reilly, Sally. The Body in Contemporary Art. London: Thames and Hudson, 2009. 70-72.

Prina, Stephen. “Music: Best of 2009.” Artforum. 48. 4. December (2009): 57. 

Reynaud, Bérénice. “Reports From the Festival Front: The Year Obama Walked: The 28th Sundance Film Festival and the 17th Pan African Film and Arts Festival.” Senses of Cinema. February 2009. Web.

Shollis, Brian. “Parts and Labor.” Artforum. Artforum International Magazine. 15 January 2009. Web. 15 January 2009.

Szewczyk, Monika. “Anabasis. Rituals of Homecoming.” Camera Austria.108. November (2009): 80.

Von Taube, Annika. “Lunch Break.” Sleek. 22. Spring (2009): 46–59.

“What a Lunchbox Can Reveal.” Los Angeles Times. 4 December 2009. D15. Print

“Wien Sharon Lockhart.” Artkaleidoskop. 26 January 2009:

Willis, Holly. “Clammed Up: Double Tide.” LA Weekly. 11 November 2009. Web. 11 November 2009.

Willis, Holly. “Coming Up: Double Tide,” KCET. Community Television of Southern California. 18 November 2009. Web. 18 November 2009.

 

2008               

“Arbeiter verlassen die Fabrik.” Falter. 21 November (2008):

“Arbeitsverhältnisse.” Profil (Berlin). 24 November 2008.

Borchhardt-Birbaumer, Brigitte. “Alltagsroutine statt Arbeiter-Romantik.” Wiener Zeitung (Vienna). 22 November 2008.

Cheng, Scarlet. “Flower Power: How Their Roots Intertwine.Los Angeles Times 6 July 2008,

Churner, Rachel. “55th Carnegie International.” Artforum. 47.1. September (2008): 454–55.

Eastman, John. “Artists of the 55th Carnegie International: Sharon Lockhart.” Black and White. 13 June 2008.

“Europäischer Monat der Fotografie.Anwalt Aktuell (Vienna). November 2008.

Feßler, Anne Katrin. “Die Pause als Rhytmus der Arbeit.” Der Standard (Vienna). 3 December 2008.

Gopnik, Blake. “Survey Says: Six Is the Magic Number.” Washington Post. June 2008, M05.

Hanselle, Ralf. “Sharon Lockhart: Lunch Break.” Kunstforum.

Hay, David. “Space Rhapsody—John Lautner’s Architectural Heirs. Los Angeles Times Magazine. 6 July 2008, 26.

Heiser, Jorg. “55th Carnegie International.” Frieze. September (2008): 187, 188

Hester, Jessica. “Over the Hill, MCA Reaches Deep into Collection for Retrospective.” Chicago Maroon. 6 May 2008.

Hodge, Brooke. “Seeing Things: Flower Power.” The Moment Blog—T Magazine. New York Times Company. 26 July 2008. Web. 26 July 2008.

Holert, Tom. “Sharon Lockhart: Lunch Break.” Camera Austria.

Homy, Henriette. “Mittagspause in der Kriegsschiffswerft.” Kurier (Vienna), 1 December 2008.

Hopper, Justin. “Celebrating the Mark That Makes Us Human.” Carnegie Magazine. Summer 2008: cover.

Latimer, Quinn. “Field Guide: Sharon Lockhart.” Modern Painters (New York), November 2008.

Lubbke-Tidow, Maren. “Sharon Lockhart.” Camera Austria (Austria). 102. (2008): 80.

Meacham, Steve. “A Tale of Two Cities.” Sydney Morning Herald. 21 March 2008.

“Memory Is Your Image of Perfection Opened at Museum of Contemporary Art San Diego.” Artdaily. Royalville Communication, Inc. 9 September 2008. Web. 9 September 2008.

“Mittag in der Secession: Sharon Lockhart's ‘Lunch Break’.” An.Schlägel. December 2008.

Riggott, Julie. “Not a Show About Flowers.” Downtown News (Los Angeles). 27 June 2008.

Scheyerer, Nicole. “Denkmal für die Arbeiterklasse.” Falter. 18 November (2008):

Schneider, Arnd. "Three modes of experimentation with art and ethnography." Journal of the Royal Anthropological Institute 14.1 (2008): 171-94.

“Sharon Lockhart Secession.” Modern Painters (New York) 11. 2008.

“Sharon Lockhart—Break.” Österreich Journal Online. 8 November 2008. Web.

“Sharon Lockhart.” Art Review. December 2008.

Shaw, Kurt. “International Explores the Art of Moving Images.” Pittsburgh Tribune. 13 July 2008.

Shaw, Kurt. “Putting Together the International.” Pittsburgh Tribune. 5 April 2008.

Sherwin, Skye. “Sharon Lockhart.” ArtReview. December (2008): 26.

Smith, Roberta. “An Alien Sighting on Planet Pittsburgh.New York Times 9 May 2008, B25, B26.

Sundell, Margaret. “Previews: Sharon Lockhart.” Artforum 46. 5. January (2008): 160.

Trainor, James. “55th Carnegie International.” Frieze. 112. January/ February (2008):

Vogl, Sabine B. “Sharon Lockhart: Lethargie im Industriemuseum.” Die Presse (Vienna). 14 December 2008.

Wehrmann, Annette. “Sharon Lockhart im Kunstverein in Hamburg.” Texte zur Kunst (Berlin). 71. September (2008): 216–19.

Wilson, Michael. “Previews: Worldly Concerns.” Artforum. 46. 9. May (2008): 165.

 

2007               

Bernstein, Fred A. “Light Box.” Dwell. 18. November (2007): 76.

Camper, Fred. “Pine Flat.” Chicago Reader. 2007.

Cook, Greg. “Looking at You.” Boston Globe 4 November 2007, N1.

Eklund, Doug. “Sharon Lockhart at the Magic Hour.” Museums. Fall 2007.

Huston, Johnny Ray. “‘Alternative Visions’ at the PFA.” SF360. San Francisco Film Society.15 February 2007. Web.

Katzenstein, Ines. “Ethnographie zu Hause.” Text (Berlin). 5 August (2007): 64–67.

Lerner, Clay. “Lunch Break.” DOCS.PT (Portugal). 06. December (2007): 30–38.

Lockhart, Sharon. “Milwaukee's Finest.” Barbara Pichler and Claudia Slanar, eds. James Benning, 55–64. Vienna: SYNEMA, 2007.

 

2006               

Anderson, Jason. “Pine Flat + Los Muertos.” Eye Weekly (Toronto). 15. 27. 6 April (2006):

“Berlinale zeigt Videokunst.” Deutschlandradio Kultur (Berlin). 28 February 2006.

Brooks, Amra. “Los Angeles Roundup: A Report on Current Gallery/Museum Shows.” Artinfo. 11 July 2006.

Chapman, Christopher. “Zones of Contact: 2006 Biennale of Sydney.” Art Monthly Australia (Canberra). August (2006): 15–20.

Charity, Tom. “Pine Flat.” City Pages Movie Reviews, 11 July 2006.

Comer, Stuart. “Sharon Lockhart.” Vitamin Ph: New Perspectives in Photography. London: Phaidon, 2006. 166-167.

Crust, Kevin. “Meditation on Youth, Nature.” Los Angeles Times 18 May 2006, E15.

Dziewior, Yilmaz. “Récits en boucles passantes: Sharon Lockhart.” DITS: Dépeindre, Musée des Arts Contemporains ASBL (Hornu, Belgium). 7. September (2006): 94–105.

“El arte en enero.”GQ Spain (Madrid) January 2006: 36.

Esparaza, Ramón. “En la comunidad de Sharon Lockhart.” El Cultural (Madrid), 1 May 2006: 28–29.

Esta reconocida fotografía y cineasta norteamericana.” Mentes-Inquietas. 2006.

Faro, Pedro. “Limbo Rural.” L+Arte (Lisbon). October 2006: 27–34.

Fernández, Alicia. “Retorno a la inocencia con sobresaltos.” ABCD. 27 January 2006: 40–41.

“Festival Temps d’Images 2006.” Artecapital. (Lisbon). 3 October 2006. Web.

“Festival Temps d’Images—Sharon Lockhart.” lecool (Lisbon). 28 September 2006.

Findeisen, Ralph. “Nach Mass Geschneidert.” Artnet (New York). 10 February 2006.

Foerster, Lukas. “Berlinale 2006: Forum.” Critic.de. 2006.

Galha, Lúcia. “Festival Temps d’Images aposta na internacionalização.” Público (Lisbon). 13 September 2006.

González, Iker. “Bilbao hace Diana.” La Ría del Ocio (Bilbao, Spain). 2006, 23.

Hanson, Doug. “Young at Heart.” Star Tribune (Minneapolis–St. Paul). 12 May 2006.

“The Harvard Film Archive Presents Sharon Lockhart: Pine Flat.” Harvard University Gazette. 102. 2. September (2006): 21.

Hay, David. “Artist’s Look at a Town, With Architects’ Help.” New York Times 20 May 2006, A18.

Hogan, Michael. “Childhood in Rural America: Pine Flat at the Sackler.” U. Mass Boston Student Newspaper 6 November 2006.

Hokins, Randi. “Ooh-oo Child.” Boston Phoenix 18 August 2006, Arts 22.

Koehler, Robert. “Pine Flat.” Variety (Los Angeles). 13 February 2006.

Kraus, Chris, Jan Tumlir, and Jane McFadden, eds. LA Artland: Contemporary Art From Los Angeles. London: Black Dog Publishing, 2006. Includes text on Lockhart by Catherine Grant. 122-123.

Krieger, Diane. “Vanguard of the Avant Garde.” USC Trojan Family Magazine. 38. 2. Summer (2006): 27–35.

“La mirada más rural de Sharon Lockhart.” La Revista 20 Minutos. 30 January 2006.

“La primera muestra de Sharon Lockhart.” 20 Minutes. 9 January (2006): 26.

“Limbo rural.” L+Arte (Lisbon). 29. October (2006): 27–34.

Lobo, Paula. “América rural no Museo do Chiado.” Diário de Notícias (Lisbon). 4 October 2006.

Lopez, Anne Marie. “Zones of Contact: 2006 Biennale of Sydney.Australian Art Review (Sydney). 29 June 2006.

Martín, Alberto. “Sharon Lockhart: Los niños muestran la naturaleza fluida de la identidad.” El Pais (Madrid). 23 December (2006): 16.

Martins, Celso. “Viagens na provincial.” Agenda LX, (Lisbon). October (2006): 43.

McQuaid, Cate. “Postcards From ‘Pine Flat’.” Boston Sunday Globe 17 September 2006, N1, N7.

Müller, Kathrin Bettina. “The Making of Americans.” Tip (Berlin). May 2006, 59.

Pagel, David. “Capturing the Mysteries of Youth.” Los Angeles Times 9 June 2006, E22.

Pine Flat.” Time Out New York. 556. 25 May (2006): 132–33.

Ramos, Filipa. “Sharon Lockhart: Pine Flat.”Artecapital (Lisbon). 15 November 2006.

Rousel, Noellie. “Los Angeles: Elsewhere Is Everywhere.” ArtPress. April 2006.

“Rural Life.” Walker Art Center (Minneapolis). Spring (2006): 1–5.

Sáenz de Gorbea, Xabier. “Retrato de grupo.” Kultura, (Paris). 2006, 87.

Salema, Isabel. “Um retrato pode ser mais ficcional do que um filme.Público (Lisbon). 4 October 2006.

Saltz, Jerry. “She's Not There.” Village Voice (New York). 1 June 2006.

Schlegel, Eva, ed. “L.A. Women: Artists and Architects.” Schlebrügge (Vienna). 2006. 145.

Schneider, Stefanie. “Stefanie Schneider in Berlin.” De Tagesspiegel (Berlin). 11 February 2006.

Schröck, Petra. “Verhängnisvolle Affäre.” Film-Dienst (Bonn). June 2006.

“Sharon Lockhart.New Yorker. 82. 19. 26 June (2006): 12.

“Sharon Lockhart: Pine Flat.Artnotes (Santiago). February 2006.

“Sharon Lockhart: Pine Flat.” Journal of the Print World (New Hampshire). 29. 4. Fall (2006):31.

“Sharon Lockhart: Pine Flat.” lisboacultural (Lisbon). 9 October 2006. Web.

“Sharon Lockhart: Pine Flat at Arthur M. Sackler Museum.” artdaily. 18 September 2006. Web.

“Sharon Lockhart: Remember When Time Stood Still?” Velvet (Athens). 17 (2006): 6–7.

Smith, Gavin. “After the Gold Rush.” Film Comment (New York). March/April (2006): 67–68.

Tilmann, Christina. “Schnee, der auf Tannen fällt, Kunst im Film: Sharon Lockhart und

Celia Valenciano.” La Netro. 6 February 2006. Web.

Vaz Fernandes, Francisco. “Sharon Lockhart.” Dif (Lisbon). November 2006.

Vieira, Fatima.De olhos bem abertos.” Atlântico (Lisbon). November 2006: 60.

Von Carsten, Probst. “Wie aktuell ist Videokunst?” Deustschlandradio (Berlin). 14 February 2006.

Von Ingeborg, Ruthe. “Es steht ein Haus in Jerusalem ein Haus weitab vom Glück.” Berliner Zeitung (Berlin). 9 February 2006.

Von Werneburg, Von Brigitte. “Oh diese alten Schachteln!” Tazplan (Berlin). 13 February 2006, 26.

Willis, Holly. “Pine Flat.” LA Weekly. 17 May 2006.

Woznicki, Krystian. “Sharon Lockhart: Pine Flat Portrait Studio.” Camera Austria. 94. (2006): 90–91.

 

2005   

Richer, Francesca and Rosenzweig, Matthew. No.1: First Works of 362 Artists. New York: D.A.P./Distributed Art Publishers, 2005.

Almagia, Karolina. “Ameriketan.” Kultura Gara (San Sebastián). 2005, 36.

Almagia, Karolina. “La Norteamérica rural se introduce en la sala Rekalde.” Kultura Gara (San Sebastián). 2005: 52.

Andrews, Max. “An Inside: Camden Arts Centre, London, UK.” Frieze (London). 91. May (2005): 112.

Baker, George. “Photography’s Expanded Field.” October (New York). 114. Fall (2005): 120–40.

Berro, Irune. “Beste Kalifornia.” Kultura Gara (San Sebastián). 2005: 34.

Bright, Susan. Art Photography Now. London: Thames & Hudson Ltd., 2005. 79, 105.

Darwent, Charles. “It’s Very German. And Then It Isn’t….” Independent (London) 16 March 2005.

Dirks, Ryan. “Visual Art Review.” Portland Mercury. (Portland, OR). 5. 44.  31 March – 6 April 2005: 37.

Eguia, Sergio. “Sharon Lockhart estrena en la sala Rekalde su registro de niños.” El Correo. (Bilbao). 15 December 2005: 74.

“Exposició.” Pais Vasco (Bilbao). 18 December 2005.

Godfrey, Mark. “Strange Bedfellows.” Artforum. 43. 9. May (2005): 89, 92.

Grosenick, Uta and Burkhard Riemschneider, ed. Art Now. Cologne: Taschen, 2005. 72-175.

Herráez, Beatriz. “Sharon Lockhart.” Exit Express (San Marcelo). December 2005: 22.

Holte, Michael Ned. “The Observer.” Frieze (London). 95. November (2005): 98–103.

Larrauri, Eva. “La fotografía y cineasta Sharon Lockhart presenta su última trabajo en la Sala Rekalde de Bilbao.” Kultura Gara (San Sebastián). 15 December 2005: 68.

Larrauri, Eva. “Sharon Lockhart conforma una instalación con retratos y paisajes.” El Pais (Madrid). 15 December 2005: 5.

Libby, Brian. “Structural Ethnographies: Sharon Lockhart.” Willamette Week. 30 March (2005): 62.

Lockhart, Sharon. “Questionnaire: Sharon Lockhart.” Frieze (London). 92. June–August (2005): 174.

Lockhart, Sharon. In Francesca Richer and Matthew Rosenzweig. No. 1: First Works by 362 Artists. New York: D.A.P./Distributed Art Publishers, Inc., 2005. 223.

Martín, Alberto. “Interview With Sharon Lockhart.” El Pais (Madrid). 24 December 2005.

Martin, Laura. “Sharon Lockhart.” Neo2 (Madrid), December 2005.

Mendiluze, Itxaso. “Ikuspuntuak eta begiradak.” Kultura Gara (San Sebastián). December 2005.

Meyers, Holly. “State of the Art L.A. 05’.” LA Weekly. 28 October – 3 November 2005, 42.

Ng, Fiona. “Q/A Sharon Lockhart.” Independent: Film and Video Monthly (New York). 28. 2. March (2005): 12–14.

Searle, Adrian. “Fancy Seeing You Here….” Guardian (London). 1 March 2005.

“Sharon Lockhart en la Sala Rekalde.” OH LÁ LÁ (Paris). Winter 2005–06.

“Sharon Lockhart.” Exit Express (San Marcelo). December 2005, 22.

“Sharon Lockhart: Pine Flat.” Artecontexto (Madrid). Winter 2005, 120–21.

“Sharon Lockhart: Pine Flat.” Artkrush (New York). 2005.

Unibertsor, Zehaztutako. “Arte Plastic.” Zablik Magazine. 12 December 2005.

Weschler, Lawrence. “Art: Sharon Lockhart’s No.” Three Penny Review (Berkeley). 100 Winter (2005): 35.

Williams, Eliza. “An Aside.” Art Monthly (London). 285 April (2005): 25–26.

Zubero, Begoña. “Nekazal herri txiki bateko erretratuak.” Ortzandar. 5 December 2005.

 

2004               

Buhl, Henry. “The Buhl Collection 2004–2005 Calendar.” December 2004.

Eklund, Douglas. “Sharon Lockhart.” Metropolitan Museum of Art Bulletin (New York). 62. 2. (Fall 2004): 42–43.

Fricke, Harald. “Sharon Lockhart: neugerriemschneider.” Der Tagesspiegel—Kunst und Markt (Berlin). 17 April 2005: 24.                   

Griffin, Tim. “Out of the Past: Tim Griffin Talks With Whitney Biennial Curators.” Artforum. 42. 5. January (2004): 57–59.

Knight, Christopher. Binary Days at the Biennial.” Los Angeles Times. 11 April 2004: E43.

Olivares, Rosa. “Bienal del Whitney: Recuperando la Memoria.” EXIT Express. Madris. 2. April 2004: 5.

 “Screen at the Berlinale.” Daily News (New York). 14 February 2004.

“Sharon Lockhart.” Esquire (Tokyo). June 2004: 39.

Tumlir, Jan. “Sharon Lockhart at Blum & Poe.” Artforum. 42. 5. January (2004): 159–60.

 

2003               

“Around the Galleries.” Los Angeles Times. 24 October 2003: E29.

“Auf gleicher Wellenlange; Experimente mit Sharon Lockhart im Münchner Filmmuseum.” Donnerstag (Berlin). 22 May 2003: 117.

Banks, Wendy. “Edgy Experiments.” NOW Magazine (Toronto). 4 –10 September 2003: 89.

Brooks, Rosetta. “A Fine Disregard.” Afterall (London/Los Angeles). 8. 2003: 10714.

Dargis, Manohla. “Past the Studio's Shadows.” Los Angeles Times. 20 November 2003: E3438.

Diedrichsen, Diedrich. “Sharon Lockhart.” Wochenzeitung (Zurich). 15 May 2003.

Forde, Katherine. “Reviews: Sharon Lockhart.” Contemporary (London). 53. (2003): 113.

Gill, Alexandra. “World Disorder.” Globe and Mail (Toronto). 1 November 2003.

Lafargue, Paul. “The Right to Be Lazy: Chapter 1: A Disastrous Dogma.” Exit Express (San Marcelo). 12. 2003: 779.

Martinez, Chus. “The Possible's Slow Fuse: The Works of Sharon Lockhart.” Afterall (London/Los Angeles). 8. 2003:  11524.

Menin, Samuele, and Valentina Sansone. “Focus Video and Film: Contemporary Video Art (Part II).” Flash Art (Milan). 36. 229. MarchApril (2003): 9299.

Pagel, David. “Big Questions in the Tiny Details.” Los Angeles Times. 24 October 2003: E29.

“Sharon Lockhart.” Contemporary (London). 5354, 111.

“Sharon Lockhart.” New Yorker. 14 April 2003, 16.

“Sharon Lockhart.” Tema Celeste (Milan). April 2003: 112.

“Sharon Lockhart.” Time Out New York. 24 April – 1 May 2003.

Stone, Tammy. “Stan Brakhage’s Legacy Lives on Wavelengths Offerings.” Festival Daily (Toronto). 9 September 2003: 3.

Turvey, Malcolm et al. “Round Table: The Projected Image in Contemporary Art.” October (New York). 104 (Spring 2003): 7196.

 

2002               

Bruckner, Pascal. “Unos adultos pequeñitos, muy pequeñeitos.” Exit 4: Rise of the New

Millennium Express (San Marcelo). 2002: 27679.

Grosenick, Uta, and Burkhardt Riemschneider. “Art Now: 137 Artists at the Rise of the New Millennium.” Art Newspaper (London). 2002.

Kyriacou, Sotoris. “Edinburgh International Festival.” Contemporary (London). June–August 2002: 10.

Cheng, Scarlet, California Grrrls, calendarlive.com, web, Sept. 29 2002

Pagnous, Estelle. Women Feminism influences art, Steppin’ Out (Silicon Valley Community Newspaper), Sept. 4 2002

Lecture on women and art, Allen’s PCB, July 17 2002

Women’s World, Elle Decor Magazine, Aug./Sept. 2002

Beeler, Monique. Post-war contributions of state’s female artists, The Argus, The Review, The Tribune, The Herald, The Times-Star, July 12 2002

Baker, Kenneth. Exhibition scatters chronology, art forms, The SF chronicle Datebook, July 1 2002

Fischer, Jack. Women’s works gained note in California. San Jose Mercury News. June 30 2002. P3E

Koppman, Debra, Parallels and Intersections: Art/Women/California, 1950-2000 ,Artweek magazine vol.33 Issue 5, p24, June 2002

ArtForum International magazine, Parallels and Intersections, May 2002

Lockhart, Sharon. “A Thousand Words.” Artforum (New York). 40. 6. February (2002): 105.

Lockhart, Sharon. “Horse's Mouth.” Bookforum (New York). 9. 3. Fall (2002): 23.

Van den Boogard, Oskar. “From the Familiar to the Abstract.” 1, 2, 3, Newspaper Galerie Jan Mot (Brussels). 30. January-February (2002): 1.

Fragments of conversation between Becky Allen and Michael Assenmaker, 3pages, 2002 (or 2001?)

 

2001               

Artner, Alan G. “Critic’s Choice.” Chicago Tribune. 25 February 2001: 2.

Artner, Alan G. “Lockhart Photos Build on Film Aspects.” Chicago Tribune. 29 March 2001.

Bonetti, David. “The Modern California Photographer: Not Just a Pretty Face.” San Francisco Chronicle. 25 January 2001.

Bryson, Norman. “From Form to Flux.” Parachute (Montreal). 103. JulySeptember (2001): 86-106.

Campbell, Clayton. “Public Offering.” Flash Art (Milan). 34. 219. July–September (2001): 117.

Chung, Jennifer. “Lockhart Seamlessly Blends Film and Photography.” Chicago Maroon. 10 April 2001.

“Cinema Verité.” Art Newspaper (London). 12. 113. April (2001): 18.

Clothier, Peter. “The Broad Spectrum.” Art News (New York). 100. 9. October (2001):154–57.

 “Contemporary Art Museum Sets Exhibits.” Daily Chronicle (DeKalb, IL). 25 February 2001.

Cunniff, Bill. “‘Networld’ Brings Viewers Into Exhibit.” Chicago Sun-Times. 2 March 2001: 16.

Dantini, Michele. “Tre artisti per tre pratiche di viaggio: Sharon Lockhart, Luca Vitone, Beat Streuli.” Ipso Facto. April 2001:132-136.

“Editor’s Choice: Hints of Spring.” Crain’s (New York). 26 February 2001: 40.

Erickson, Karl. “The Free Spot.” In These Times (Chicago). 20 August 2001: 26–27.

Estep, Jan. “Sharon Lockhart: Museum of Contemporary Art Chicago.” New Art Examiner (Chicago). September–October 2001: 85.

Ferguson, Russell. “Kelly Nipper: Test Patterns.”Artext (Los Angeles). 74. August–October (2001): 42–45.

“Filmmaker Sharon Lockhart Focuses on Japanese Girls Basketball Team In ‘GOSHOGAOKA’.” Chicago Shimpo. 2 May 2001. 11, 12.

Frye, Brian. “En Garde.” Independent Film and Video Monthly. JanuaryFebruary 2001: 18–19.

Gennari, Flaminia. “Luci e emozioni da catturare oltre alla superficie: Il Museum of Contemporary Art di Chicago ospita la prima retrospettiva di Sharon Lockhart.” Il Manifesto (Italy). 10 April 2001: 15.

Glatt, Cara. “Exhibit Reveals Ingrained Beauty at MCA.” Hyde Park Herald (Chicago). 4 April 2001.

Gorter, Lauren Arnold. “Chicago Offers Much in March.” Ann Arbor News (Ann Arbor, MI). 18 February 2001.

Harvey, Doug. “P.O.’d.” LA Weekly (Los Angeles). 11-17 May 2001: 50.

Hawkins, Margaret. “Boredom and Simplicity.” Chicago Sun-Times. 16 March 2001: 43.

Hilger, Stephen. “Sharon Lockhart at The Museum of Contemporary Art, San Diego.”

Artissues (Los Angeles). SeptemberOctober 2001: 44.

Kaplan, Cheryl. “Sharon Lockhart/Barbara Gladstone Gallery.” Tema Celeste (Milan). 83. January/February (2001): 91.

Krygier, Irit. “Hello 21st Century.” artnet.  12 April 2001.

 “Mario Testino’s Art Index.” V Magazine (New York). MayJune 2001.

Martegani, Amedeo. “Tre artisti per tre pratiche di viagio: Sharon Lockhart, Luca Vitone, Beat Streuli.” Ips Facto (Madrid). 2001.

Miles, Christopher. “MOCA Takes Stock of the ’90s.” Art & Auction (New York). 1 April 2001.

“MOCA Examines Points of Emergence of Today’s Significant Artists.” Antiques and the Arts Weekly (Newtown, CT). 30 March 2001.

“Movies: Goshogaoka, Teatro Amazonas.” Chicago Reader. 9 March 2001.

Muchnic, Suzanne. “Ascent of the Early Risers.” Los Angeles Times. 1 April 2001: 4–5, 74–76.

“Museum of Contemporary Art.Chicago Reader. 9 March 2001.

“Museum of Contemporary Art.Gallery Guide (Chicago). May 2001.

“Museum of Contemporary Art.Illinois Adventures (Chicago). Spring 2001.

“The National Art Scene.” New York Times. 23 March 2001: 34.

“On the Edge.” Museums Chicago. Spring 2001: 48.

Pagel, David. “Photographer Lockhart Puts Her Still-Lifes Into Motion.” Los Angeles Times. 14 June 2001: 53, 56.

Pincus, Robert L. “Through a Lens Slowly.” San Diego Union-Tribune. 24 June 2001: F1, F9.

“Public Offerings.” Tema Celeste (Milan). 85. May–June (2001): 108.

Reports of the President and the Treasurer. New York: John Simon Guggenheim Memorial Foundation, 92.

“Rodney Graham; Sharon Lockhart.” Texte zur Kunst (Berlin). 11. 43. September (2001): 134–37.

Schwendener, Martha. “Preview: Sharon Lockhart.” Artforum (New York). 39. 5. January (2001): 47.

Schwendener, Martha. “Sharon Lockhart: Exotic Structures.” Flash Art (Milan). October 2001: 8487.

“Sharon Lockhart.” Eyestorm (London). May 2001.

“Sharon Lockhart.” Jalouse (Paris). May 2001: 69.

“Sharon Lockhart.” New York Times. 25 February 2001: 40.

“Sharon Lockhart.” Tema Celeste (Milan). 85. May (2001): 20.

“Sharon Lockhart Photos> Film> Photos.” Art Actuel (Paris). April 2001: 65.

The Israel Museum, Jerusalem Magazine. 2. Spring (2001): 17.

Tanzilo, Bobby. “Photographer, Filmmaker’s Work Shown in Chicago.” Kenosha News (Kenosha, WI). 2 March 2001.

Teatro Amazonas.” Anthology Film Archives (New York). JanuaryFebruary 2001.

Tumlir, Jan. “Tenth Reunion: Jan Tumlir Talks With Paul Schimmel and Howard Singerman.” Artforum (New York). 39. 6. February (2001): 120–23.

Woodward, Josef. “Beyond Boundaries: Contemporary Photography in California at Contemporary Arts Forum.” Artweek (San Jose, CA). 32. 1. January (2001): 20–21.

Zeigler, Philipp. “Geschichten ohne Handlung.” Frame (Amsterdam). MayJune 2001: 98101.

 

2000               

“Amazonisches Theater.” Deutches Allgemeines Sonntagsblatt (Berlin). 9 June 2000.

Basting, Barbara. “Die Ethnographie huckepack nehmen.” Frankfurter Allgemeine Zeitung (Frankfurt). 11 April 2000.

Bryson, Norman. “Sharon Lockhart.” Flash Art (Milan). OctoberNovember 2000.

Bryson, Norman. “Sharon Lockhart: The Politics of Attention.” Artext (Los Angeles). AugustOctober 2000: 5461.

Crowder, Joan. “Photographic Exhibition Covers a Wide Variety of Styles.” Santa Barbara News–Press. 5 December 2000.

Durden, Mark and Craig Richardson. Face On: Photography as Social Exchange. London: Black Dog Publishing, 2000. 62-67.

Dziewior, Yilmaz. “Sharon Lockhart: Concept, Structure and Passion.” Carmera Austria (Graz) 72. November (2000): 25-36.

Dziewior, Yilmaz; Sharon Lockhart. “Sharon Lockhart: A Thousand Words.” Artforum (New York). February (2000):10405.

Farmer, John Alan. “Sharon Lockhart: Interview Locations/Family Photographs.” Art Journal (New York). 59. 1. Spring (2000): 6473.

“Fremde Kulturen im Visier.” Der Zurcher Oberlander (Wetzicon, Switzerland). 25 March 2000.

Gangitano, Lia. “Dangerous Corners.” TRANS>. 8. 2000: 164-173.

Helfand, Glen. “Tweeners: Sharon Lockhart and Kelly Nipper Blur Distinctions Between Art, Film, and Everything Else.” San Francisco Bay Guardian. 12 April 2000.

Herzog, Samuel. “Auch am Amazonas den Überblick behalten.” Basler Zeitung (Basel, Switzerland). 19 April 2000.

Hunt, Ian. “Sharon Lockhart/Museum Boijmans Van Beuningen, Rotterdam.” Frieze (London). May 2000: 10708.

Ingeborg, Wiensowski. “Laufende Standfotos.” Spiegel Reporter. 3 March 2000: 138.

“Inszenierte Werke der Ruhe und Strenge (Kunstmuseum 2000 Besucher Kamen zur Ausstellungseroffnung von Sharon Lockhart—Photos and Film).” Wolfsburg Allgemeine Zeitung (Wolfsburg, Germany). 20 June 2000: 22.

Karweik, Hans-Adelbert Bilder. “Inszenierung von Film und Fotografie.” Wolfsburg Nordtbiditen (Wolfsburg, Germany). 10 June 2000.

Karweik, Hans-Adelbert Bilder. “Sharon Lockhart in Kunstmuseum: Bilder.” Die Zum Ansehen Zwingen. 9 June 2000.

Kastner, Jeffrey. “From MOMA to MOCA, Storm King to Fogg.” New York Times. 10 September 2000: 2:91.

Krebs, Edith. “Der Kuss oder die Kunst des Samplings.” Tages-Anzeiger (Zurich). 30 March 2000.

“Kulturen im Visier.” Bundner Tagblatt (Canton Graubunden, Switzerland). 25 March 2000.

“Kunstmuseum: Medium Fotographie im Mittelpumkt.” Wolfsburger Kurier (Wolfsburg, Germany). 12 July 2000.

“Kunstmuseum: Zeigt ein kurzes filmsches Portrait: Sharon Lockhart—Teatro Amazonas.” Wolfsburger Kurier (Wolfsburg, Germany). 26 June 2000.

Liebs, Holger. “Der Fluss der Dinge.” Süddeutsche Zeitung (Munich). April 2000.

Liebs, Holger. “Hollywood, Filiale Goshogaoka: Filme und Fotografien von Sharon Lockhart in Wolfsburg.” Süddeutsche Zeitung (Munich). 10 August 2000.

Lockhart, Sharon. “Best of 2000: Film.” Artforum. 39. 4. December (2000): 27.

“Lockhart: Bilder aus Brasilien.” Wolfsburger Allgemeine Zeitung (Wolfsburg, Germany). 31 May 2000.

Nigg, Marie-Louise. “Den voyeuristischen Blick entlarvt.” Zurichsee-Zeitungen (Zurich). 8 April 2000.

Oberholzer, Nikolaus. “In den Unterschieden nach dem Leben Suchen.” Neue Luzerner Zeitung (Lucerne, Switzerland). 1 April 2000.

Pagel, David. “Photography That Tells It Like It Is.” Los Angeles Times. 21 July 2000.

Pedrosa, Adriano. “Sharon Lockhart: Teatro Amazonas.” Trans (New York). 7. (2000): 5962.

Ribi, Thomas. “Eine Ethnographie des anderen Blicks.” Neue Zurcher Zeitung (Zurich). 29-30 April 2000.

“Sharon Lockhart: Das Teatro Amazonas.” Wolfsburger Allgemeine Zeitung (Wolfsburg, Germany). 9 June 2000.

“Sharon Lockhart's Filme und Fotos.” Stader Tagblatt (Stade, Germany). 14 June 2000.

“Sharon Lockhart.” New York Times. 27 October 2000.

Sobel, Dean. “Sharon Lockhart.” Interventions: New Art in Unconventional Spaces. Sheboygan: Milwaukee Art Museum & Zimmerman Printing Company, 2000:22-23. Print.

Tarmas, Olaf. “Antispektakulares Spektakel.” TAZ—Tageszeitung Hamburg. July 2000.

Teatro Amazonas im Kunstmuseum.” Landeszeitung fur die Luneburger Heide (Luneburg, Germany). 10 June 2000.

Teatro Amazonas: Katalog und Tag der Offener.” Wolfsburg Allgemeine Zeitung (Wolfsburg, Germany). 20 June 2000: 22.

Tuchman, Phyllis. “Art Critics in Albion.” artnet. October 5, 2000.

Von Osten, Marion. “Es Luft alles nach Plan.” Texte zur Kunst (Berlin). September 2000: 17782.

Wintermeyer, Kerstin. “Romantische Alltags-Inszenierung.” Wolfsburger Nachrichten (Wolfsburg, Germany). 9 June 2000: B30.

Ziegler, Phillip. “Sharon Lockhart: Teatro Amazonas.” Frame (Amsterdam). JulyAugust (2000): 144.

Ziegler, Ulf Erdmann. “Anthropologie mit Publikum.” Die Tageszeitung (Berlin). 4 April 2000: 13.

 

1999               

Altstatt, Rosanne. “Sharon Lockhart.” Neue bildende Kunst (Berlin). June–July 1999: 36–41.

Bronwasser, Sacha. “Familiekoppen voor de eeuwigheid.” de Volkskrant (Amsterdam). 28 December 1999: 11.

“Da Los Angeles a Manaus.” Firenze Spettacolo (Florence). November 1999.

Jager, Hans den Hartog. “Betrapt op het kwetsbaarste moment.” NRC Handelsblad (Amsterdam). 20 November 1999.

Knight, Christopher. “Publicly Funded Artists Rise to the Challenge.” Los Angeles Times. 4 June 1999: F16.

Piccoli, Cloe. “Ciak d’Artista.” D la Repubblica delle Donne (Milan). 23 November 1999.

Porcari, George. “The Photographer of Modern Life: Some Thoughts on ‘Untitled’ by Sharon Lockhart.” Inflatable Magazine (Athens). 5. Winter (1999): 43.

Rawsthorn, Alice. “LA Story.” British Vogue (London). April 1999: 10017.

Ruyters, Domeniek. “Onwaarachtige Snapshots.” Metropolis M (Utrecht, The Netherlands). 5. October–November (1999): 2832.

Verwoert, Jan. “fast forward.” artist Kunstmagazin (Bremen, Germany). 2. 39. (1999): 4449.

Woznicki, Krystian. “Die Fotografin ist immer auch Regisseurin.” Berliner Zeitung (Berlin). 4 November 1999: 16.

 

1998               

“Allegorical Australia.” The Renaissance Society at the University of Chicago Newsletter. Fall 1998.

Calame, Ingrid. “Sharon Lockhart at Blum & Poe.” LA Weekly (Los Angeles). 13-19 March 1998: 57.

Christofori, Ralf. “More Presence: Aktuelle Photographie in Los Angeles.” Eikon:

Internationale Zeitschrist für Photographie & Medienkunst (Vienna). September–October 1998: 61–63.

Colard, Jean-Max. “Deux lancers francs.” Les Inrockuplible (Paris). December 1998: 91.

Diamond, Dennis. “Goshogaoka.” Dance on Camera Journal (New York). MarchApril, 1998: 2.

Fogle, Douglas. “Stills.” Camera Austria (Graz, Austria). 6263. (1998): 2634.

Guenzani, Claudio. “Interview.” Les Rencontres Internationales de la Photographie: Un Nouveau Paysage Humaine. 1998: 235–37, 326–27.

Guerrin, Michel. “Sharon Lockhart saisit líambigu ballet des basketteuses nippones.” Le Monde (Paris). 22 May 1998.

Hainley, Bruce. “Shooting Hoops.” Artforum (New York). 36. May (1998): 19.

Halle, Howard. “Next Wave: Four Emerging Photographers.” Art on Paper (New York). MarchApril 1998.

Harvey, Dennis. “Goshogaoka.” Variety (Los Angeles). 9-15 February 1998: 57, 74.

Holden, Stephen. “Tokyo Girls Play It Safe.” New York Times. 28 March 1998: A20.

Isé, Claudine. “Nothing but Net.” Los Angeles Times. 6 March 1998: F34.

Joisten, Bernard. “Sharon Lockhart: Interview With Bernard Joisten.” Purple (Paris). Winter 1998–99: 328–35.

Kent, Sarah. “Sightings.” Time Out London. 21 January 1998.

Kitanokoji, Takashi. “The Girls’ Line of Vision Calls Our Attention to the Space Outside of the Frame.” Studio Voice (Tokyo). April 1998:11621.

Lockhart, Sharon. Lacanian Ink (New York). 13. (1998): cover.

Lockhart, Sharon. Texte zur Kunste (Berlin). March 1998: cover.

Miles, Christopher. “Sharon Lockhart at Blum & Poe,.” Art/Text (Los Angeles). 62 Summer (1998): 62, 8889.

Miyamura, Noriko. “Art and Environment's New Relationship.” Bijutsu Techo (Tokyo). April 1998: 200.

Philippi, Anne. “Pop als Rohmasse: Kalifornisch: Sharon Lockharts Projekt ‘Studio 346’ im Kunstlerhaus Bethanien.” Zitty (Berlin). 19. 5. (1996).

Rizzo, Margaret Schmitz. “Photo Display Lets Viewers Draw Conclusions.” Kansas City Star. 20 August 1998: E7.

Rossing Jensen, Jorn. “Goshogaoka.” Dagkrant. 6 February 1998: 11.

Silva, Arturo. “Freeze Frames and Blank Expressions.” Japan Times (Tokyo). 15 February (1998): 13.

Smith, Roberta. “Sharon Lockhart.” New York Times. 20 March 1998: B35.

Thorson, Alice. “The Pleasure of Looking.” Kansas City Star. 16 July 1998: E5.

Van de Walle, Mark. “Genre Benders.” Art & Auction (New York). February 1998: 86–87.

Wahjude, Claudia. “Sightings: New Photographic Art.” Kunstforum International (Berlin). 141. July–September (1998): 431–33.

 

1997               

“At the Museum.” Member's Magazine of the Los Angeles County Museum of Art (Los Angeles). October 1997.

Auerbach, Lisa Ann. “Sharon Lockhart, Laura Owens and Frances Stark at Blum & Poe.” LA Weekly (Los Angeles). 2 June – 3 July 1997: 57.

Bonami, Francesco. “Truce: Echoes of Art in an Age of Endless Conclusions.” Artforum (New York). December (1997): 26, 74–75, 102.

Calame, Ingrid. “Hall of Mirrors.” Flash Art (Milan). 30. 192. JanuaryFebruary (1997): 9495.

Darling, Michael. “The Baggage of Time.” LA Weekly (Los Angeles). 20–26 June 1997: 58.

DeBord, Matthew. “The Recurrent American Rhetoric of Contradiction.” Siksi: The Nordic Art Review (Helsinki). 12. 3. Autumn (1997): 7679.

Hainley, Bruce. “Sharon Lockhart, Laura Owens, Frances Stark at Blum & Poe.” Artforum (New York). November (1997): 11920.

Halle, Howard. “Portraits of the Artists.” Time Out New York. 20 –27 March 1997: 1016.

Halle, Howard, Jerry Saltz, and Linda Yablonsky. “Showtime at the Whitney.” Time Out New York. 3-10 April 1997: 3940.

Intra, Giovanni. “Sharon Lockhart, Laura Owens, Frances Stark: Blum & Poe, Santa Monica.” Flash Art (Milan). 30. 197. NovemberDecember (1997): 76.

Isé, Claudine. “The Narrative Turn.” Artweek (Los Angeles). July 1997: 1415.

Kandel, Susan. “Exploring the Power of Three Among Friends.” Los Angeles Times, 1997: F18.

Kliewer, Brent. “Exploring Multicultural Issues.” Pasatiempo (Santa Fe). 8-14 August 1997: 19.

Knight, Christopher. “Beguiled by 'Longing and Memory.” Los Angeles Times. 7 June 1997: 1, 14.

Knight, Christopher. “Look Out World, Here They Come!” Los Angeles Times. 30 March 1997: 6364.

Kutner, Janet. “Sense of Sadness Found in Site's Art Message.” Pasatiempo (Santa Fe). 8-14 August 1997: 14.

“Lockhart’s Photographs.” Siksi: The Nordic Art Review (Helsinki). Autumn (1997): 76–79.

MacAdam, Barbara A. “Whitney Biennial.” Art News (New York). May 1997: 163.

Marcoci, Roxana, Diana Murphy and Eve Sinaiko. New Art. New York: Harry N. Abrams, Inc.

Martin, Timothy. “L.A.: Particles and Waves.” X-TRA.1. 3. Fall (1997): 3-7.

Martin, Victoria. “Sharon Lockhart, Laura Owens and Frances Stark at Blum & Poe.” Artweek (Los Angeles). 28. 8 August (1997): 20, 28.

McKenna, Kristine. “The Contemporary Not Temporary at LACMA.” Los Angeles Times. 7 June 1997: F15.

Miles, Christopher. “69 at the Whitney.” Detour Magazine (New York). May 1997: 15556.

Miles, Christopher. “Sharon Lockhart's Short and Long Images.” SOMA (San Francisco). July 1997: 2021.

Mitchell, Charles Dee. “Report From Santa Fe: New Narratives.” Art in America (New York). November 1997: 4347.

Plagens, Peter. “Stuck in the Middle.” Newsweek (New York). 7 April 1997: 74.

Pokorny, Sydney. “Sharon Lockhart.” Artforum (New York). 35. 8. April (1997): 92.

Rimanelli, David. “1997 Biennial Exhibition.” Artforum (New York). May 1997: 10102.

Rimanelli, David. “A/drift.” Artforum (New York). February 1997: 83.

Rugoff, Ralph. “L.A.'s Female Art Explosion.” Harper's Bazaar (New York). April 1997: 20405, 246.

Salvioni, Daniella. “The Whitney Biennial: A Post 80s Event.” Flash Art (Milan). Summer 1997: 114–17.

Searle, Adrian. “Nowhere to Run.” Frieze. 34. May (1997): 42-47.

Steiner, Mary Ann. Ed. Defining Eye: Woman Photographers of the 20th Century. New York: Distributed Art Publishers.

Stjernstedt, Mats. “On a Fairly Traditional Exhibition Rhetoric: Whitney Biennial.” Siksi: The Nordic Art Review (Helsinki). 12. 2. Summer (1997): 8384.

 

1996               

Abutille, Mario C. “Auf der Suche nach dem Menschen.” Basellandschaftliche Zeitung (Basel, Switzerland). 16 September 1996.

Ammann, Ludwig. “Lehrstrück über sexuelle Identität.” Badische Zeitung (Freiburg, Germany). 1996.

“At the Museum.” Member’s Magazine of the Los Angeles County Museum of Art (Los Angeles). October 1997.

Auerbach, Lisa Anne. “True.Bliss at LACE.” LA Weekly (Los Angeles). 27 December –2 January 1997.

Bergflödt, Torbjörn. “Erinnerungen und Entgrenzung.” Zürichsee–Zeitung (Zurich, Switzerland). 12 October 1996.

Bonami, Francesco. Echoes: Contemporary Art at the Age of Endless Conclusions. New York: The Monacelli Press, 1996. 155.

Bloom, Amy. “A Face in the Crowd.” Vogue (New York). December 1996: 29297.

Dannatt, Adrian. “La belle et la bête.” Flash Art (Milan). MarchApril 1996: 50.

“Eureka! I’ve Lost It.” The Renaissance Society at the University of Chicago. 8 May – 30 June: 7-11.

Gerster, Ulrich. “Zum Zweiten—Werke seit 1980 in der Kunsthalle.” Neue Zuricher Zeitung (Zurich). 14 October 1996: 17.

Greene, David A. “Home Movies.” Village Voice (New York). 26 November – 3 December 1996: 93.

Henry, Steven R. and Wendy Waldron. “Margo Leavin Gallery: 25 years.” Margo Leavin Gallery, Los Angeles:1995. Volume 1. Print.

Greenstein, M. A. “Sharon Lockhart.” Art Issues (Los Angeles). Summer 1996: 37.

Knight, Christopher. “A Fun-House 'Mirror'.” Los Angeles Times. 19 March 1996: F1, 89.

Maurer, Simon. “Das Ich im Ruckspiegel.” Tagesanzeiger (Zurich). 21 September 1996.

Myers, Terry. “Sharon Lockhart.New Art Examiner (Chicago). Summer 1996: 4546.

Pagel, David. “Lockhart's Polished Photos Invite Reverie.” Los Angeles Times. 14 March 1996: F10, 12.

Rugoff, Ralph. “Lost at the Mall: Searching for the Intersection of Art and Film.” LA Weekly (Los Angeles). 29 March – 4 April 1996: 41.

Saltz, Jerry. “Sharon Lockhart.” Time Out New York. 28  November – 5 December 1996: 46.

Salvioni, Daniela. “The Whitney Biennial. A Post 80s Event.” Flash Art (Milan). Summer 1996: 114.

Scanlan, Joe. “Let's Play Prisoners.” Frieze (London). SeptemberOctober 1996. 6067.

Stjernstedt, Mats. “Omtagninagar: Sharon Lockhart's arbeiten med film/Retakes: Sharon Lockhart’s Work in Film.” Paletten (Gothenburg, Sweden). January 1996: 31–36.

Stjernstedt, Mats. “Sternstedt on a Fairly Traditional Exhibition Rhetoric.” Siksi: The Nordic Art Review (Helsinki). 2. Summer (1997): 8384.

 

1995               

Aukeman, Anastasia. “Sharon Lockhart.” Art in America (New York). April 1995: 112.

Kandel, Susan. “A Biennale or Bust?” Los Angeles Times. 25 June 1995: 7, 9.

McDonald, Daniel. “Sharon Lockhart.” Frieze (London). January/February 1995: 6366.

“Sharon Lockhart.” Documents sur l’art (Paris). 7. Spring (1995): 3782.

Troncy, Eric. “La belle et la bête.” Art Press (Paris). December 1995: 7273.

 

1994               

Berg, Ronald. “Kuesen als Kunst.” Der Tagesspiegel (Berlin). 16 August 1994: 16.

Choon, Angela. “Sharon Lockhart.” Manhattan File (New York). November 1994.

Cooper, Dennis. “Love Poems Produced by Staring Too Hard at Thomas.” In Uncontrollable Bodies: Testimonies of Identity and Culture. Bay Press, 1994.

“Crush on You.” Oostende. CD Compilation produced by Gretchen Seager and Louis Gutierrez.

Diedrichsen, Diedrich. “Oostende.” Texte zur Kunst (Berlin). June 1994: 214–17.

Greene, David A. “Land Escape: A Photographic Field Trip Through the Conceptual Plane.” Los Angeles Reader. 11 November 1994: 11.

Kandel, Susan. “Land Ahoi.” Los Angeles Times. 17 November 1994: F13.

Meier, Eva. “Sharon Lockhart.” PAKT. September/October 1994: 1213.

Reissner, Katja. “Sharon Lockhart.” zitty (Berlin). 7. 1994.

Relyea, Lane. “Openings: Sharon Lockhart.” Artforum (New York). 33. 3. November (1994): 80–81.

Werneburg, Brigitte. “Truffautsche Obsessionen.” Die Tageszeitung (Berlin). August 1994:13, 36.

 

1993     

Tumlir, Jan. “A Conversation With Jeremy-Gilbert Rolfe, Graduate Advisor, Art Center College of Design.” Artweek (San Jose, CA). 24. 9. 6 May (1993): 18–19